  
              Todd 
              McIntosh using Skin Illustrator palettes and liquids to color the 
              multiple, overlapping foam appliances  
              on actor George Hetzburg, as "Adam", from  
              "Buffy The Vampire Slayer." 
               
              Photos courtesy of Todd McIntosh  | 
          Be 
              sure the skin has been gently cleaned and dried before applying 
              the Skin Illustrator colors. Removal is easy with 
              Super Solv, alcohol or isopropyl myristate. Remember to clean 
              the skin after color removal, then apply moisturizer. All Skin Illustrator 
              liquids can be used to replenish the palettes. To refill the palette 
              cells, squirt a thin layer of desired color into cell; stir, then 
              dry with a hairdryer. Repeat the process until the cell is filled. 
              The key to using Skin Illustrator is to take the time to experiment 
              with the colors. Try different application techniques with a sponge, 
              brush or airbrush, and learn how the colors work under varying conditions. 
              Because art is constantly evolving, Skin Illustrator will always 
              be growing and improving. Some colors in the palette may be substituted, 
              but they will always be available in liquids.  
            
              
              Tatoo 
              Covered with an airbrushed combination of Rice Paper, Natural 1, 
              Lao 1 and a finish thinned-spatter coat of Rose Adjuster II. The 
              entire process, from bottle to camera, completed in 7 minutes. 
               
              Make-up by Kenny Myers 
              Photos courtesy of Kenny Myers 
             |